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You've Got Smell!
DigiScent is here. If this technology takes off, it's go ...
By Charles Platt
Joel Lloyd Bellenson places a little ceramic bowl in fro ...
... ctrum, all the way from Web surfing to Hollywood movies.

Wired 7.11: You've Got Smell!
http://www.wired.com/wired/archive/7.11/digiscent.html

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You've Got Smell!

DigiScent is here. If this technology takes off, it's gonna launch the next Web revolution.

By Charles Platt

Joel Lloyd Bellenson places a little ceramic bowl in front of me and lifts its lid. "Before we begin," he says, "you need to clear your nasal palate."

I peer into the bowl. "Coffee beans," explains Bellenson's partner, Dexster Smith. "This is what they use in perfume stores. It's like the reset button."

Dutifully, I reinitialize my nose by sniffing the beans. I'm preparing for a sensory epiphany here, an epochal event in the history of art, smell, and computation. Bellenson and Smith claim they've developed a highly secret process to encode odors as digital data. Just as we can download digitized music and play it through speakers attached to a computer, we should soon be able to acquire online scent data that a little gadget can play back as smells.

Bellenson, who sounds edgy and looks sleep-deprived, has been pitching his new paradigm to me with the manic charisma of an infomercial host. The way he sees it, "scentography" is going to transform the entertainment-media spectrum, all the way from Web surfing to Hollywood movies.

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<p><font color="#000000" face="verdana, helvetica, arial, sans-serif" size="5"><b> You've Got Smell! </b><br> </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="2"> <b> DigiScent is here. If this technology takes off, it's gonna launch the next Web revolution. </b> </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="1"> <i> By Charles Platt </i> </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="2"> Joel Lloyd Bellenson places a little ceramic bowl in front of me and lifts its lid. "Before we begin," he says, "you need to clear your nasal palate." </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="2"> I peer into the bowl. "Coffee beans," explains Bellenson's partner, Dexster Smith. "This is what they use in perfume stores. It's like the reset button." </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="2"> Dutifully, I reinitialize my nose by sniffing the beans. I'm preparing for a sensory epiphany here, an epochal event in the history of art, smell, and computation. Bellenson and Smith claim they've developed a highly secret process to encode odors as digital data. Just as we can download digitized music and play it through speakers attached to a computer, we should soon be able to acquire online scent data that a little gadget can play back as smells. </font> </p> <p> <font color="#000000" face="verdana, helvetica, arial, sans-serif" size="2"> Bellenson, who sounds edgy and looks sleep-deprived, has been pitching his new paradigm to me with the manic charisma of an infomercial host. The way he sees it, "scentography" is going to transform the entertainment-media spectrum, all the way from Web surfing to Hollywood movies.</font></p>