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Legibility is a term used to describe the ease with whic...
Paths: familiar routes followed- (1st Kordon) "are the c ...
Districts- areas with perceived internal homogeneity(Kem ...
Edges- dividing lines between districts- (Izmir Bay) "ar ...
... ider ot

Lecture Notes: Kevin Lynch
http://www.angelfire.com/ar/corei/hbe1/lynch1.htm

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Legibility is a term used to describe the ease with which people can understand the layout of a place. By making questionnaire surveys, Lynch defined a method of analyzing legibility based on five elements: paths, edges, districts, nodes and landmarks. He defined these as follows:

Paths: familiar routes followed- (1st Kordon) "are the channels along which the observer customarily, occasionally, or potentially moves. They may be streets, walkways, transit lines, canals, railroads .."These are the major and minor routes of circulation that people use to move out. A city has a network of major routes and a neighborhood network of minor routes.

Districts- areas with perceived internal homogeneity(Kemeralti District) "are medium-to-large sections of the city, conceived of as having two-dimensional extent, which the observer mentally enters ‘inside of,’ and which are recognizable as having some common identifying character" A city is composed of component neighborhoods or districts; (its center, midtown, its in-town residential areas, organized industrial areas, trainyards, suburbs, college campuses etc.) Sometime they are districts in form and extent- like Kemeralti District.

Edges- dividing lines between districts- (Izmir Bay) "are the linear elements not used or considered as paths by the observer. They are boundaries between two phases, linear breaks in continuity: shores, railroad cuts, edges of development, walls ... " The termination of a district is its edge. Some districts have no edges at all but gradually taper off (gittikçe incelen) and blend into (karismak) another district. When two districts are joined at one edge they form a seam. (dikis yeri)

Landmarks- point of reference- (Clock Tower, Hilton) "are another type of point-reference, but in this case the observer does not enter within them, they are external. They are usually a rather simply defined physical object: building, sign, store, or mountain". The prominent visual features of the city are its landmarks. Some landmarks are very large and seen at great distances, like Hilton Hotel in Alsancak. Some landmarks are very small (e.g. a tree within an urban square) and can only be seen close up, like a street clock at Konak Plaza, or Atatürk Statue on Cumhuriyet Square. Landmarks are an important element of urban form because they help people to orient themselves in the city and help identify an area.

Nodes- centres of attraction that you can enter<- (Konak Square) "are points, the strategic spots in a city into which an observer can enter, and which are intensive foci to and from which he is traveling. They may be primary junctions, places of a break in transportation, a crossing or convergence of paths, moments of shift from one structure to another. Or the nodes may be simply concentrations, which gain their importance from being the condensation of some use or physical character, as a street-corner hangout or an enclosed square ... " A node is a center of activity. Actually it is a type of landmark but is distinguished from a landmark by virtue of its active function. Where a landmark is a distinct visual object, a node is a distinct hub (göbek) of activity.

Having identified these elements Lynch describes the skeletal elements of city form. To build a broader vocabulary upon this basic framework we must consider other natural and man-made urban form determinants.

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<p style="margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 35.4pt;"><font color="#ffffff">Legibility is a term used to describe <b style=""><i style="">the ease with which people can understand the layout of a place</i>.</b> By making questionnaire surveys, Lynch defined a method of analyzing legibility based on five elements: <b>paths, edges, districts, nodes and landmarks</b>. He defined these as follows<span style="" lang="EN-US">: <o:p></o:p></span></font><span style="" lang="EN-US"><o:p></o:p></span></p> <p><b><font color="#ffffff">Paths:</font></b><font color="#ffffff"> familiar routes followed- (1<sup>st</sup> Kordon) "<i style="">are the channels along which the observer customarily, occasionally, or potentially moves. They may be streets, walkways, transit lines, canals, railroads</i> .."</font><font color="#ffffff">These are the major and minor routes of circulation that people use to move out. A city has a network of major routes and a neighborhood network of minor routes.<o:p></o:p> </font> </p> <p><font color="#ffffff"><b>Districts</b>- areas with perceived internal homogeneity(Kemeralti District) <i>"are medium-to-large sections of the city, conceived of as having two-dimensional extent, which the observer mentally enters &#x2018;inside of,&#x2019; and which are recognizable as having some common identifying character"</i> A city is composed of component neighborhoods or districts; (its center, midtown, its in-town residential areas, organized industrial areas, trainyards, suburbs, college campuses etc.) Sometime they are districts in form and extent- like Kemeralti District.<o:p></o:p></font><o:p></o:p></p> <b><font color="#ffffff">Edges</font></b><font color="#ffffff">- dividing lines between districts- (Izmir Bay) <i>"are the linear elements not used or considered as paths by the observer. They are boundaries between two phases, linear breaks in continuity: shores, railroad cuts, edges of development, walls ... "</i> <o:p></o:p></font><font color="#ffffff">The termination of a district is its edge. Some districts have no edges at all but gradually taper off (gittik&#xe7;e incelen) and blend into (karismak) another district. When two districts are joined at one edge they form a seam. (dikis yeri)</font> <p><font color="#ffffff"><b>Landmarks</b>- point of reference- (Clock Tower, Hilton) <i>"are another type of point-reference, but in this case the observer does not enter within them, they are external. They are usually a rather simply defined physical object: building, sign, store, or mountain"</i>. The prominent visual features of the city are its landmarks. Some landmarks are very large and seen at great distances, like Hilton Hotel in Alsancak. Some landmarks are very small (e.g. a tree within an urban square) and can only be seen close up, like a street clock at Konak Plaza, or Atat&#xfc;rk Statue on Cumhuriyet Square. Landmarks are an important element of urban form because they help people to orient themselves in the city and help identify an area. <o:p></o:p></font><o:p></o:p> </p> <font color="#ffffff"><b>Nodes</b>- centres of attraction that you can enter&lt;- (Konak Square) <i>"are points, the strategic spots in a city into which an observer can enter, and which are intensive foci to and from which he is traveling. They may be primary junctions, places of a break in transportation, a crossing or convergence of paths, moments of shift from one structure to another. Or the nodes may be simply concentrations, which gain their importance from being the condensation of some use or physical character, as a street-corner hangout or an enclosed square ... "<o:p></o:p></i><i> </i>A node is a center of activity. Actually it is a type of landmark but is distinguished from a landmark by virtue of its active function. Where a landmark is a distinct visual object, a node is a distinct hub (g&#xf6;bek) of activity.</font> <p> </p><p style="margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 35.4pt;"><font color="#ffffff">Having identified these elements Lynch describes the skeletal elements of city form. To build a broader vocabulary upon this basic framework we must consider other natural and man-made urban form determinants. </font></p>